Exquisite Liangmu carving is the main decorative technique in traditional furniture, and it contains endless aesthetic meaning--extraordinary and refined. Its aesthetic value goes far beyond the external value of traditional furniture itself, and it is a treasure of classical art. The Ming furniture, which represents traditional furniture, is the essence of Chinese classical furniture, and its shape and workmanship have reached the peak.
For historical reasons, Ming furniture is called art. It has only been for decades, and its understanding and understanding is still in its infancy. For a period of time, some people think that the characteristics of Ming-style furniture are simple and simple, thus rejecting the ornamentation and engraving of Ming-style furniture, and even the extreme view of non-photo-energy. In fact, ornamentation and engraving are ubiquitous in Ming furniture, even if they are included in the category of light furniture, they are full of strange decorative colors.
The perception of beauty is the aesthetic instinct of mankind. Through a certain degree of contact with the art of carving of Ming style furniture, it is not difficult for us to taste the aesthetic meaning of the inspiration of the inspirational people. In short, there are five points:
[一] The beautiful shape of Ming style furniture is a complete sculpture masterpiece
The reason why Ming style furniture can produce such a breathtaking charm, in addition to the precious wood of furniture, the shape of the furniture is its main feature. In terms of its shape, traditional Chinese furniture mainly absorbs the combination form of the building's large wooden beams, the door of the pot door and the sill. This kind of styling makes the connection of the architectural art orderly and interspersed, as well as the stable and firm, balanced and harmonious, beautiful and transparent oriental aesthetic charm of the Humen bed and the Sui Mi seat. The Ming style furniture reflects the three-dimensional shape of the Founder. In fact, a beautiful Ming style furniture, whether it is finely crafted or light, is a perfect sculpture masterpiece in terms of its shape.
[2] Stretching smooth curve structure is the soul of Ming style furniture carving art
Many of the Ming style furniture use round materials, which make them bend and rotate, and the performance is beautiful. This is fully demonstrated in the chair ring of the circle chair and the brain of the lamp chair. The Luopan 枨, three curved legs, light transmission, drum teeth, drum legs, inverted horseshoes, moiré teeth, drum nails, etc. in Ming style furniture all reflect the aesthetic pursuit of the epoch-making furniture decoration aesthetics in our country's history. This is the soul of the aesthetics of Ming style furniture that is not easy to find. Thus, this decoration integrated with the overall furniture can be described as a structured decoration. It not only has the functions of reinforcement, support, and practicality, but also plays a role in embellishing and beautifying. This structured decoration reflects the characteristics of the engraving process.
[3] The trend of the foot line makes the Ming furniture decoration produce a very dynamic rhythm
The line of traditional furniture seems to be very simple, its shape is nothing more than plane, convex, concave, its line is nothing more than the Yang line and the Yin line. However, in order to observe the objects in kind, you will find that the line changes infinitely, the width and width of the lines and faces are narrow, the stagnation is gentle, and the flatness is flat. The slight change will make the furniture look different. Depending on the style of the furniture, different stitches will result in distinct decorative effects. Therefore, through this natural and smooth line movement, we can fully appreciate the wonderful rhythm of the flowing art in Ming Dynasty furniture carving art.
[4] The carving technique of the awe-inspiring work makes the Ming style furniture exquisite
Exquisite carving is the main decorative technique in Ming furniture, and its carving techniques include round carving, relief carving, openwork, semi-relief and semi-transparent carving. Round carvings are used in the brain of furniture, such as the faucet on both ends of the mirror. Embossed, with depth and depth, high relief embossed surface, multi-layered overlap; bas-relief with knife and pen, like line drawing. Openwork is to remove the part of the pattern from the hollow, resulting in a virtual and real, exquisite and beautiful. It has one side and two sides, and the two sides are carved on the plane to pursue the effect similar to the round sculpture. Openwork is mostly used for partitions, screens, canopy beds, hangers, mirrors, etc. The semi-embossed semi-transparent sculpture, mainly used on the dental plate and the tooth of the table case, shows a beautiful and confusing beauty.
[5] Formal aesthetic principles of Ming style furniture carving art
The so-called aesthetic principle is the aesthetic law presented in certain works of art of great significance.
From the artistic form of many sculptures of Ming style furniture, the author believes that three quite prominent aesthetic principles can be summed up: a finishing touch, which refers to the decoration of the Ming Dynasty furniture in a prominent position, to the furniture Put on the "eyes" to make the furniture full of vitality. The second line of flow, which refers to the engraving around the table of the table, in order to show the dynamic sense of the furniture in the static, the furniture around a flowing "streamer" to produce a flowing beauty. These furniture legs and shoulders are carved with animal face, and the dental plates are multi-carved, phoenix, and flower-grain. The ornamentation is very lively and lively. The rhyme of the three craftsmanship, which means that the furniture engraving is extremely luxurious and prosperous, in order to achieve a warm and gorgeous aesthetic effect.
In terms of its overall shape, traditional Chinese furniture is based on calm and dignified, square and rigorous, but the engraving and decoration have a completely different style from the styling. No matter whether it is landscape flowers, birds, beasts, fishes, or characters, myths and legends, most of them are full of enthusiasm. Unrestrained features. This is in stark contrast to the dignified and solemn Ming style furniture, adding a flowing temperament to the quiet form.
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